by
Kristen Hatch
A Denver native, Loring edited movie trailers before becoming a film cutter for Paramount-Famous Players Lasky in 1927. She would remain with Paramount until the early 1930s, when she moved to RKO as an assistant director.
See also: Hettie Gray Baker, Anne Bauchens, Margaret Booth, Winifred Dunn, Katharine Hilliker, Viola Lawrence, Irene Morra, Blanche Sewell, Rose Smith
Bibliography
The bibliography for this essay is included in the “Cutting Women: Margaret Booth and Hollywood’s Pioneering Female Film Editors” overview essay.
Filmography
A. Archival Filmography: Extant Film Titles:
1. Jane Loring as Editor
Pointed Heels. Dir.: Edward Sutherland, sc.: Florence Ryerson, ed.: Jane Loring (Paramount Famous Lasky Corp. US 1929) cas.: William Powell, Fay Wray, Helen Kane, si&so, b&w, 7 reels; 5, 689 ft. Archive: UCLA Film & Television Archive.
The Saturday Night Kid. Dir.: Edward Sutherland, sc.: Ethel Doherty, ed.: Jane Loring (Paramount Famous Lasky Corp. US 1929) cas.: Clara Bow, James Hall, Jean Arthur, si&so, b&w. Archive: BFI National Archive.
B. Filmography: Non-Extant Film Titles:
1. Jane Loring as Editor
Avalanche, 1928; The Water Hole, 1928; Fast Company, 1929; Sunset Pass, 1929.
Citation
Hatch, Kristen. "Jane Loring." In Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. New York, NY: Columbia University Libraries, 2013. <https://doi.org/10.7916/d8-7sn0-x271>