Month: September 2018

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Be Natural: The Untold Story of Alice Guy-Blaché screens at the New York Film Festival on Sunday, October 7

 

Be Natural: The Untold Story of Alice Guy-Blaché (Pamela Green, 2018) will screen at the New York Film Festival on Sunday, October 7 at 6pm. For more information and to purchase tickets, click here.

There will also be a free talk about Guy-Blaché’s career and legacy on Tuesday, October 9. This is event is presented in collaboration between NYFF and New York Women in Film & Television and guests include WFPP founder Jane Gaines, Susan Lazarus, and Joan Simon. For more information, click here.  

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CFP: Eye International Conference 2019, “The 10th Women and the Silent Screen Conference”

 

CFP: The 10th Women and the Silent Screen Conference, hosted by the Eye International Conference 2019 

The conference will take place in Amsterdam, at the Eye Filmmuseum, from Saturday, May 25- Tuesday, May 28, 2019

Deadline for abstracts: November 30, 2018

From the event website:

“Once a year, Eye Filmmuseum is the venue for an international conference attended by film scholars, archivists, curators and restorers. The conferences are organized in collaboration with national and international partners from both the academic world and the field of film heritage. In 2019, the 5th Eye International Conference will host the 10th Women and the Silent Screen Conference.

Women and the Silent Screen (WSS), a biennial international conference, has been a hub for the exchange of research focused on all forms of women’s involvement during the earliest decades of film history. Having first convened in Utrecht in 1999, the conference returns to the Netherlands in celebration of its twentieth year of activity. The theme of WSS 10 is SISTERS, to be explored both literally and figuratively, and is open to consideration using different methods and from a range of historical and theoretical angles.”

For the full CFP, click here!

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Apparatus special issue, “Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s” is out now!

 

An issue of Apparatus called “Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s” is now out!

Edited by Karen Pearlman and Adelheid Heftberger

From the editors’ introduction:

“Cumulatively, this special issue of Apparatus aims to reveal the invisible. Its methodology is to bring to light the skills, intelligence, expertise, accomplishments, significance, and influence of women on film form through their work as editors and beyond. By bringing together, for the first time ever, ideas and information about Ėsfir’ Shub, Elizaveta Svilova, Anna Pudovkina, Vera Popova, and Lilia Brik, under one cover, the issue lays the ground for new narratives of Soviet filmmaking, narratives that account for the essential creative work of women in bringing Soviet films and theories in to being.”

To see the full issue, click here.

 

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CFP: “The Visible Woman: On-Screen Presences of Femininity (1895-1920),” 12th International Seminar on the History and Origins of Cinema

 

CFP: “The Visible Woman: On-Screen Presences of Femininity (1895-1920)”

12th International Seminar on the History and Origins of Cinema

DEADLINE: November 4, 2018

Conference will be held: March 28-29, 2019 in Girona

Organized by: The Museum of Cinema, the Departments of History and History of Art of the University of Girona, the consolidated Group for research into Theories of Contemporary Art and the Project by the Ministry of Finance and Competitiveness titled “The Presence and Depiction of Women in the Early Years of the Cinema”

 

From the CFP:

“By way of summary, we can state that there are three key stages in the history of feminism. The first took place in the early 20th century, when women began to demand fundamental rights in order to achieve equality, including the rights to vote and work. The second phase took place around 1968, when the battle for gender equality was accompanied by a change in sexual relations. Finally, a third stage, has taken place in the new millennium, in which the struggle has consisted of denunciation and the creation of a crisis for all the parameters which have shaped, and continue to shape, the patriarchal society. 

The seminar titled The Visible Woman. The On-screen Presence of Femininity (1895-1920) proposes a study of the feminism of the early 20th century, from a 21st-century feminist standpoint. In a period when the roots and mechanisms of the patriarchal society are being called into question, we propose studying the society in which women began to fight for their rights. Meanwhile official discourses did nothing more than establish, through different means popular cultural expression, a set of symbolic roles associated with clichés, such as virginity, motherhood, prostitution and the malevolent power of the woman as a destroyer of men.”

For the full CFP and instructions on how to apply, click here

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